Chris Trevas was three years old when he first saw Star Wars in 1977, but claims that he has more memories of playing with the toys than of the films themselves. He always aspired to be an artist, initially interested in animation, but he later found that the drawing style did not suit him. Trevas took art classes throughout his school years and served as art club president in high school. After that, he attended the College for Creative Studies in Detroit. While in college, he created technical illustrations for automotive manuals and worked for a public relations firm. The first publication of his digital work came with his cover for Restructuring Electricity Markets: A World Perspective.[2]
In 1994, when Lucasfilm began recruiting artists for Episode I's art department, Trevas submitted a portfolio including various alien sketches, but he was not hired at that time. However, at a science-fiction convention in 1995 in Chicago, Illinois, he shared his portfolio with West End Games, who at the time held the Star Wars role-playing license, and was hired by them a few months later.[2] Trevas produced interior artwork for numerous RPG books for them, including Heroes & Rogues, the Star Wars Adventure Journal, and supplements for The DarkStryder Campaign.
In 1998, Chris Trevas and Chris Reiff created an unofficial fansite called "The Parts of Star Wars," a guide explaining how many of the props in the Star Wars films were made and how they could be recreated.[4] The next year, he illustrated Dig magazine's The Lost City of Tatooine and the Random House children's book Anakin to the Rescue. In 2001, Star Wars Insider called upon the expertise of Trevas and Reiff for a new section called "Set Piece," a recurring feature—beginning in issue 54—which takes a shot from one of the films and then points out behind-the-scenes facts about props and sets; it also features line art by Trevas of selected props. He also illustrated "Unseen Planets of Episode I" in issue 56, a follow-up to the 1998 classic trilogy article.
For Star Wars' 25th anniversary in 2002, Trevas wrote and illustrated "Star Wars Prop Art: Creating a Believable Universe" for the Celebration II souvenir book and created Star Wars art for Comic-Con's souvenir book. The same year, he began working for Wizards of the Coast, illustrating numerous weapons and technologies for their Arms & Equipment Guide. In 2003, he created the Jedi Temple computer screens that would appear in Inside the Worlds of Star Wars: Attack of the Clones, published by Dorling Kindersley. In the following years, he would do more work for Wizards of the Coast: illustrations for Ultimate Adversaries and the Ultimate Missions series, for the latter of which he would design the accompanying figurines. Trevas was also one of the many artists who began drawing sketch cards for Topps, after a recommendation by his friend and fellow artist Joe Corroney.[2]
In 2006, Trevas received from Del Rey his biggest Star Wars project yet: The New Essential Guide to Alien Species. Trevas created fifty-three species images—half of the images in the book; the other half were done by William O'Connor. Trevas's illustrations included the acklay, bantha, dewback, Human (based on his own likeness[6]), Kaleesh, rancor, Rodian, tauntaun, Twi'lek, and many others. Several of his aliens in the book were intended to be as-of-yet unnamed characters from his previous works.[6] For the 30th anniversary of Star Wars in 2007, Trevas was one of almost fifty artists to create a work for Celebration IV.[7] His piece, titled "Star Wars: 30 Years of the Force," celebrated A New Hope and was obviously inspired by an early promotional piece by Ralph McQuarrie. Prints of the work were sold in limited numbers at Celebration IV and Celebration Europe, both of which Trevas attended.[7][8]
Both as a child and in his professional career, Trevas cites Star Wars conceptual artist Ralph McQuarrie as one of his major influences. McQuarrie's work inspired him to concentrate on illustrating environments, not just characters. Another important influence, particularly because of his mixing of pencil and paint, was poster artist Drew Struzan. More recently, Trevas has looked to the work of digital artists such as Ryan Church and Craig Mullens.[2]
The illustrative style of Chris Trevas has evolved over the years. While he used colored pencils during high school, he began to mix them with paint and eventually moved to using acrylic exclusively. Years later, Trevas switched to painting digitally in Adobe Photoshop via a Wacomdrawing tablet. He also uses Adobe Illustrator for line art drawings.[2]