Wikia

Wookieepedia

Watchlist Recent changes

Duel of the Fates

Duel of the fates.png
Duel of the Fates
General information
Composer

John Williams[1]

Written

1999[1]

Recorded

1999[1]

Released
Represents

Duel in Theed[1]

Performed by
Genre

Film score[1]

Musical details
Length

4:14[1]

Key

G major[4]

Tempo/Style

Maestoso[4]

Time signature

4/4[4]

Use
Soundtracks
Movies
Samples
Versions

"Duel of the Fates" 

"The…piece…is a result of my thinking that something ritualistic and/or pagan and antique might be very effective. I just felt the way that George has staged that, on top of that great stairway, the way it's done is so dramatic and so like a great pagan altar, the whole thing seems like a dance or a ballet, a religious ceremony of some kind, probably ending in the death of one of the combatants…"
―John Williams[src]

"Duel of the Fates" is a musical theme recurring in the prequel trilogy and the name for a scene in Star Wars Episode I: The Phantom Menace. It was composed by John Williams. It was also featured in Episode II, Episode III, and Star Wars: Clone Wars, though not in its full form.

This symphonic piece is played with both a full orchestra, as well as a choir that chants an archaic Welsh poem Cad Goddeu (Battle of the Trees) in Sanskrit. In English, the poem reads: "Under the tongue root a fight most dread, and another raging behind, in the head." Musically, it recalls one of the primary motifs heard in the opening of the third movement of Dvořák's "New World Symphony".

The music is played primarily during a lightsaber duel between Qui-Gon Jinn, Obi-Wan Kenobi and Darth Maul on Naboo. In addition to this scene, it was also played as Anakin Skywalker searched for his kidnapped mother on Tatooine. Variations on the main theme from "Duel of the Fates" are played in Revenge of the Sith during the battle sequence between Yoda and Darth Sidious. George Lucas believed the sense that everything is "in larger hands," as implied in "Duel of the Fates," plays very well into the third movie. Williams himself in an interview, however, said that it wasn't meant to have any particular deeper meaning and was simply meant to sound dramatic.

Contents

Conception and developmentEdit

John Williams wrote the score for the 1999 film Star Wars Episode I: The Phantom Menace and the respective soundtrack,[9] as had been the case with the previous three Star Wars films from the original trilogy.[10][11][12] "Duel of the Fates" was written as the main theatrical motif for the film and was utilized in various forms throughout the scenes depicting the Second Battle of Theed, mainly used to represent the duel between Darth Maul, Obi-Wan Kenobi, and Qui-Gon Jinn.[6] The piece, along with the entire score, was performed by the London Symphony Orchestra.[1] The original soundtrack was released by Sony Classical on May 4, 1999,[2] and the Ultimate Edition was released on November 14, 2000.[3]

SummaryEdit

The theme commences with the London Voices singing a chant in Sanskrit. The strings then enter with the violins playing a repeating phrase consisting of two eighth notes followed by two sixteenth notes and another eighth note. The low strings play sets of one, two, and five eighth notes with a measure of rest between each set's measure excluding the last, which has a pickup note, making the previous measure only seven eights rest. This continues for twenty measures with slight variations in the low string part. After the phrase has repeated for six measures, the theme's main melody comes in, played by the clarinets. This melody consists of two eighth notes followed by four quarter notes, two more eighth notes, and a final quarter note. It repeats four times, with the first two occurrences being identical and the last two varying. The end quarter note in the last repeat of the melody is tied to two whole notes and decrescendos as the strings continue to play their repeating phrases. After another three measures, the harp plays a rising phrase. In the next bar, the French horns play the melody, and the trombones echo it in the background. Then strings repeat their phrases for a few more bars, this time accompanied by the flutes, and then the London Voices return with their Sanksrit chant. Meanwhile, the trombones play the motif's main melody. This is followed by more repetition of the string phrases intermingled with accented notes and phrases from the tubas and trumpets. Then London Voices then return with the chant, and the horns and trumpets trade out on the primary melody. The trumpets then join the strings as they continue to repeat their phrases, crescendoing into a chorus chant of two eighth notes followed by a rest, which repeats eight times as the trumpets play between every other phrase.[1]

LyricsEdit

Sanskrit wordsEdit

Sanskrit                        Translation
Khara Matha Khara Rath Amah     Khara=dreadful
Khara Rath Amah Yuddha Khara    Matha=head
Khara Syada Rath Amah Dai Ya    Rath=speak
Khara Ki La Dan Ya              Amah=give
Niha Ki La Khara Rath Amah      Yuddha=battle
Syada Ki La Khara Rath Amah     Syada=raging
Khara Dan Ya Khara Rath Amah    Dai=purify
Khara Dan Ya Khara Rath Amah    Ya=going
Niha Ki La Khara Rath Amah      Ki=like
Syada Ki La Khara Rath Amah     La=taking
Khara                           Dan=separate
Khara Matha Khara Rath Amah     Niha=loss
Khara Dan Ya Khara Rath Amah
Niha Ki La Khara Rath Amah
Syada Ki La Khara Rath Amah
Khara

PronunciationEdit

Korah Matah Korah Rahtahmah
Korah Rahtamah Yoodhah Korah
Korah Syahdho Rahtahmah Daanyah
Korah Keelah Daanyah
Nyohah Keelah Korah Rahtahmah
Syadho Keelah Korah Rahtahmah
Korah Daanyah Korah Rahtahmah
Korah Daanyah Korah Rahtahmah
Nyohah Keelah Korah Rahtahmah
Syadho Keelah Korah Rahtahmah
Korah
Korah Matah Korah Rahtahmah
Korah Daanyah Korah Rahtahmah
Nyohah Keelah Korah Rahtahmah
Syadho Keelah Korah Rahtahmah
Korah

Original fragment of the Cad GoddeuEdit

A chat er dygnawt                       And a battle was contested
Dan von y tauawt                        Under the root of the tongue
A chat arall yssyd                      And another battle there is
Yn y wegilyd                            In his head

UseEdit

In the soundtracksEdit

Star Wars Episode I: The Phantom Menace soundtrack

The theme makes its only pure occurrence in a Star Wars soundtrack in the second track titled "Duel of the Fates" on the Star Wars Episode I: The Phantom Menace soundtrack. This is the only use that is made of the theme in the original soundtrack; however, it is used several times throughout the Ultimate Edition soundtrack.[1] In the Star Wars Episode II: Attack of the Clones soundtrack, the motif makes one appearance three minutes and thirty-five seconds into the tenth track titled "Return to Tatooine."[5]

In the moviesEdit

"Duel of the Fates" was first played in The Phantom Menace. The "Duel of the Fates" scene (named by the DVD version of the film) is the scene where Qui-Gon and Obi-Wan duel Darth Maul in the Theed Generator Complex. It is played in instrumental form as Queen Amidala and her guards are ambushed by Droidekas in the Theed Hangar, and as Darth Maul and the Jedi activate their lightsabers. It is used again as the duel moves from the hangar to the generator complex. The cue comes to an end as the electric shields separate the three combatants for the first time.

"Duel of the Fates" is played when Anakin travels across the surface of Tatooine to search for his mother, Shmi Skywalker Lars and rescue her from her captors, the Tusken Raiders.

"Duel of the Fates" is played for the final time during the middle of Darth Vader's duel against Obi-Wan on Mustafar, as well as Yoda's fight with Darth Sidious in the Senate Chamber and concludes as Yoda falls from a very great height.

In the Expanded UniverseEdit

The theme makes an appearance in the main menu of the game Star Wars: Battle for Naboo and during the game's second bonus mission.[13] It also appears in the opening cinematic for Star Wars: Episode I Jedi Power Battles and during the game's tenth mission, The Final Battle.[14] The theme is played in Star Wars: Clone Wars Chapters 18[15] and 19 during the battle between Anakin and Asajj Ventress and concludes with Ventress's defeat.[16] It can also be heard during the climatic battle against Lord Vartonis in Trials of Obi-Wan, the third expansion of the MMORPG Star Wars Galaxies.[17] The theme is utilized in the sixth level of "Episode I" titled "Darth Maul" in LEGO Star Wars: The Video Game[18], and in the fifth level of the same name in LEGO Star Wars: The Complete Saga.[19]

According to the roleplaying game sourcebook Coruscant and the Core Worlds, curators of the Coruscant Ice Crypts claim to have heard faint hums of "korah matah" emanating from the halls of the underground tombs. This could indicate that the tune may be of Zhell origin in-universe.

In other merchandiseEdit

Star Wars Episodes I, II & III Instrumental Solos

In popular cultureEdit

The composition has been featured in many fan films. It was also featured on an episode of The Simpsons in which Bart Simpson and Principal Skinner battled on top of a bus with sticks that had peanuts and shrimp attached to them. The theme also plays during Soulcalibur IV whenever Starkiller fights within either of the game's two Star Wars-themed stages, as well as during his extended ending.

AppearancesEdit

Notes and referencesEdit

  1. 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 Star Wars Episode I: The Phantom Menace soundtrack
  2. 2.0 2.1 Amazon.com: Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack: London Symphony Orchestra John Williams: MP3 Downloads. Amazon.com (2011). Retrieved on February 15, 2011.
  3. 3.0 3.1 Amazon.com: Star Wars Episode I: The Phantom Menace (The Ultimate Star Wars Recording)(1999 Film): John Williams: Audio CD. Amazon.com (2011). Retrieved on February 15, 2011.
  4. 4.0 4.1 4.2 Star Wars Episode I: The Phantom Menace music book
  5. 5.0 5.1 Star Wars Episode II: Attack of the Clones soundtrack
  6. 6.0 6.1 Star Wars Episode I: The Phantom Menace
  7. Star Wars Episode II: Attack of the Clones
  8. Star Wars Episode III: Revenge of the Sith
  9. StarWars.com Star Wars: Episode I The Phantom Menace on StarWars.com (content now obsolete; backup link on Archive.org)
  10. StarWars.com Star Wars: Episode IV A New Hope on StarWars.com (content now obsolete; backup link on Archive.org)
  11. StarWars.com Star Wars: Episode V The Empire Strikes Back on StarWars.com (content now obsolete; backup link on Archive.org)
  12. StarWars.com Star Wars: Episode VI Return of the Jedi on StarWars.com (content now obsolete; backup link on Archive.org)
  13. Star Wars: Battle for Naboo
  14. Star Wars: Episode I Jedi Power Battles
  15. CloneWarsLogoMini.jpg Star Wars: Clone Wars – "Chapter 18"
  16. CloneWarsLogoMini.jpg Star Wars: Clone Wars – "Chapter 19"
  17. Gal-icon.jpg Star Wars Galaxies: Trials of Obi-Wan
  18. LEGO Star Wars: The Video Game
  19. LEGO Star Wars: The Complete Saga

External linksEdit


Compositions and motifs
Introduced in Episode I
"Duel of the Fates" · "Anakin's Theme" · "Qui-Gon's Theme"
"Funeral Theme" · "Droid Invasion Theme" · "Jar Jar's Theme"
"Darth Maul's Motif" · "Shmi's theme" · "Arrival on Tatooine" · "Escape from Naboo" · "The Flag Parade"
Introduced in Episode II
"Across the Stars" · "Separatist Theme" · "Kamino Motif" · "Mourning Theme" · "The Arena"
"Republic Motif" · "Jango's Escape" · "Bounty Hunter's Pursuit" · "The Meadow Picnic"
Introduced in Episode III
"Battle of the Heroes" · "General Grievous's theme"
"Anakin's Betrayal" · "Padmé's Destiny" · "Padmé’s Ruminations"
"Immolation Theme" · "Mystery of the Sith Motif" · "Anakin's Dark Deeds"
Introduced in Episode IV
"Star Wars Main Title" · "Princess Leia's Theme" · "Rebel Fanfare" · "The Throne Room" · "Binary Sunset"
"Imperial Motif" · "Death Star Motif" · "Jawa Theme" · "Here They Come!" · "The Final Battle" · "Tusken Raider Theme"
Introduced in Episode V
"The Imperial March" · "Han Solo and the Princess" · "Yoda's Theme" · "Droids Motif" · "Boba Fett's Motif"
"Lando's Palace" · "Betrayal at Bespin Motif" · "The Asteroid Field"
Introduced in Episode VI
"Parade of the Ewoks" · "The Forest Battle" · "Jabba's Theme" · "The Emperor's Theme" · "Luke and Leia"
"Victory Celebration" · "Yoda's Revelation" · "Jabba the Hutt" · "Ewok Celebration"
Introduced in The Clone Wars
"Ahsoka's Triumphant Theme" · "Padmé's Theme" · "Clone Wars Victory Theme" · "Ahsoka's Theme"
Introduced in Shadows of the Empire
"Xizor's Theme" · "Dash Rendar's Theme"
Introduced in The Force Unleashed
"Kota's Theme" · "Force Unleashed Theme" · "Juno Eclipse's Theme" · "Redemption Theme"
Introduced in Rogue Squadron
"Rogue Squadron Main Title"
[edit]


Real world music
Soundtracks
The Phantom Menace · Attack of the Clones · Revenge of the Sith
A New Hope · The Empire Strikes Back · Return of the Jedi
Ewoks · The Clone Wars
Shadows of the Empire · Republic Commando · Knights of the Old Republic
Knights of the Old Republic II · Forces of Corruption · The Force Unleashed
The Force Unleashed II · The Old Republic
Original Soundtrack Anthology
Composers
John Williams · Joel McNeely · Clint Bajakian · Peter Bernstein · Jesse Harlin · Mark Griskey
Frank Klepacki · Jeremy Soule · Joseph Williams · Jerry Hey · Kevin Kiner · Michael Giacchino
Performers
London Symphony Orchestra · London Voices
City of Prague Philharmonic Orchestra · Maurice Murphy · Royal Scottish National Orchestra
New London Children's Choir · Seattle Sinfonia Orchestra
Sheet music books
The Phantom Menace · Attack of the Clones · Revenge of the Sith · Music from the Star Wars Trilogy: Special Edition
Other
Bantha Music · Tusken Music
[edit]
In other languages

Pages on Wookieepedia

Add a Page
89,919pages on
this wiki
Advertisement | Your ad here

Latest Photos

Add an Image
48,103images on this wiki
See more >

Recent Wiki Activity

See more >

Around Wikia's network

Random Wiki