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Star Wars Episode I: The Phantom Menace

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Star Wars Episode I:
The Phantom Menace
Director(s)

George Lucas

Producer(s)

Rick McCallum

Writer(s)

George Lucas

Starring

Liam Neeson
Ewan McGregor
Natalie Portman
Jake Lloyd
Ian McDiarmid

Music by

John Williams

Distributor

20th Century Fox

Released

May 19, 1999

Runtime

133 min. (theatrical)
136 min. (DVD)

Budget

$115,000,000

Canon

G

Language

English

Timeline

32 BBY

Era

Rise of the Empire era

Followed by

Star Wars Episode II: Attack of the Clones

"Every saga has a beginning."
―Tagline[src]

Star Wars Episode I: The Phantom Menace is a 1999 science fantasy film written and directed by George Lucas. It was the fourth film to be released in the Star Wars saga, and the first in terms of internal chronology. Among fans, the title is commonly abbreviated as "TPM."[1]

The film begins as two Jedi, assigned as ambassadors to resolve a trade dispute, arrive in orbit of the threatened planet Naboo. When the situation turns violent, the Jedi, along with Padmé Amidala, the planet's queen, flee Naboo in an attempt to reach the capital world of the Republic, Coruscant. There they hope to find a peaceful end to the dispute. Along the way, the ship must stop for repairs on the planet Tatooine. It is there that the Jedi encounter Anakin Skywalker, a young slave boy who is unusually strong with the Force. When the group returns to Naboo, they realize that the situation is much worse than they had at first thought: the evil Sith, ancient enemies of the Jedi, have returned.

The release of the film on May 19, 1999 came almost 16 years after the release of the last film in the series, Star Wars Episode VI: Return of the Jedi. The release was accompanied by extensive media coverage and great anticipation. Despite mixed reviews by critics and fans, it grossed $924.3 million worldwide.

Contents

[edit] Opening crawl

Episode I
THE PHANTOM MENACE
Turmoil has engulfed the
Galactic Republic. The taxation
of trade routes to outlying star
systems is in dispute.

Hoping to resolve the matter
with a blockade of deadly
battleships, the greedy Trade
Federation has stopped all
shipping to the small planet
of Naboo.

While the congress of the
Republic endlessly debates
this alarming chain of events,
the Supreme Chancellor has
secretly dispatched two Jedi
Knights, the guardians of
peace and justice in the
galaxy, to settle the conflict…

[edit] Synopsis

It is the year 32 BBY, and a trade dispute between the Trade Federation and the outlying systems of the Galactic Republic has led to a blockade of the small planet of Naboo. Supreme Chancellor Finis Valorum, leader of the Galactic Senate, has secretly dispatched two Jedi, Master Qui-Gon Jinn and his Padawan, Obi-Wan Kenobi, as ambassadors to the Federation flagship, Saak'ak, in order to meet with Viceroy Nute Gunray and resolve the dispute. Unknown to them, the Trade Federation is in league with the mysterious Darth Sidious, Dark Lord of the Sith, who secretly orders Gunray to invade Naboo and kill the two Jedi upon their arrival. Their ship, Radiant VII, is destroyed and the two Jedi escape the assassination attempt by using knight speed to get away from the destroyer droids and stowing themselves aboard two separate Federation landing craft leaving for the surface of Naboo.

On the planet's surface, Qui-Gon Jinn saves local native outcast Jar Jar Binks from being trampled by a MTT. Later, STAPs attack but are destroyed by the two Jedi. Jar Jar Binks shows the two Jedi the way to an underwater Gungan settlement, Otoh Gunga, escaping the Trade Federation army. Meanwhile, the Trade Federation invades Naboo and captures their leader, Queen Padmé Amidala. The Jedi meet the Gungan leader, Boss Rugor Nass, and ask him to help the people of Naboo, but Nass refuses and sends them off in a bongo submarine. They are attacked by an opee sea killer but the fish is eaten by a sando aqua monster. The Jedi, with Binks in tow, reach Theed, the capital city of Naboo, and rescue Queen Amidala from the Trade Defense Force. They depart for Coruscant, the Galactic Republic's capital planet, to ask for help from the Senate. An astromech droid named R2-D2 manages to repair the Queen's starship and they narrowly escape an attack from Federation battleships.

Due to the damage the ship's hyperdrive sustained in the attack, the Queen's party is forced to land on the desert planet of Tatooine for repairs. While searching for a new hyperdrive generator, they befriend young Anakin Skywalker, a slave boy, whose master is Watto, a Toydarian junk dealer.

Anakin is gifted with piloting and mechanics, and has built an almost-complete droid named C-3PO. Qui-Gon Jinn senses a strong presence of the Force in Anakin, and feels that he may be the Chosen One who will fulfill a prophecy by bringing balance to the Force. By entering Anakin into a podrace, Qui-Gon orchestrates a gamble in which the boy (alone, since Qui-Gon was unable to include the youth's mother in the bargain) will be released from slavery and they will win the parts needed for their ship. Anakin wins the race and joins the team as they head for Coruscant, where Qui-Gon plans to seek permission from the Jedi High Council to train Anakin to be a Jedi. Meanwhile, Darth Sidious sends his apprentice, Darth Maul, to kill the two Jedi and capture the Queen. Maul appears just as the group is leaving the planet, and duels with Qui-Gon. The fight is cut short when Qui-Gon manages to escape his black-robed assailant by jumping onboard the Naboo Royal Starship as it takes off.

On Coruscant, Qui-Gon Jinn informs the Jedi Council of the mysterious attacker he encountered on Tatooine. Because of that being's obvious mastery of the Jedi arts, the Council becomes concerned that this development may indicate the reappearance of the Sith, a religious order who were followers of the dark side of the Force and thought to be long gone. Qui-Gon also informs the Council about Anakin, hoping that he can be trained as a Jedi. After testing the boy and deliberating with one another, the Council refuses, deeming him too old for training according to the Jedi Code. They are also concerned due to their sense a seemingly clouded future and a strong presence of fear in the boy. Meanwhile, Senator Palpatine (of Naboo), warning of the corruption in the Senate, advises Queen Amidala to call for a vote of no confidence in Chancellor Valorum. Seeing no alternative, the Queen takes this advice when she addresses the Senate. Palpatine is among the candidates to replace the Supreme Chancellor, and the Queen later announces to Palpatine that she herself will return to their home planet to repel the invasion of her people. She is frustrated by the Senate's deliberation and lack of action, and feels that even if Palpatine is elected Chancellor, it will be too late. The Jedi Council send the two Jedi to accompany the Queen back to Naboo, hoping to shed light on any Sith involvement.

Queen Amidala, back on Naboo, forms an alliance with the Gungan people, uniting in battle against the Trade Federation. Nute Gunray is ordered by Darth Sidious to wipe out the Gungans and the Naboo as the Trade Federation prepares for battle. Captain Roos Tarpals orders the Gungan Grand Army to start up their shield, to protect them from ranged attack. OOM-9 has his tanks fire first, but seeing them fail to penetrate the powerful shield, orders them to cease fire. Daultay Dofine gives the command to activate the battle droids. These droids march through the shield, and its generator is destroyed. After much fighting against the Federation's droid army, defeat for the alliance seems imminent.

However, victory comes when young Anakin Skywalker accidentally takes control of a starfighter and goes on to destroy the Federation's Droid Control Ship, killing Daultay Dofine and rendering the droid army useless. Meanwhile, Queen Amidala and her force fight their way back into the royal palace and capture Nute Gunray.

At the same time, in a Theed hangar bay, Darth Maul has been engaging in combat with the two Jedi, using a double-bladed lightsaber. The battle moves from the hangar, across a series of catwalks, to the Theed Generator Room. During the fight, Obi-Wan is separated from his master when he is kicked off of a catwalk and falls. He grabs the edge of another catwalk below and jumps back up to where Qui-Gon and Maul continue to fight. By this time, Qui-Gon and Maul have become separated by a force field in the entrance to the Generator Room. Obi-Wan catches up to them, but is divided from his master by several force fields. When the force fields deactivate, Jinn and the Sith continue their battle while Kenobi remains divided from the battle when the force fields reactivate. Maul suddenly hits Qui-Gon Jinn on the chin with his lightsaber handle, stunning him, then rams his lightsaber straight into Qui-Gon's chest, mortally wounding him. Enraged, Obi-Wan redoubles his assault upon Darth Maul and chops Maul's lightsaber in half, but the Sith almost kills Kenobi when he Force pushes him to the edge of a melting pit. Obi-Wan saves himself from falling when he manages to grab onto a pipe protruding from the wall of the pit. Darth Maul kicks the Jedi's lightsaber into the pit and prepares to finish him off. The Padawan calms himself, using the Force to jump out of the pit and summons his fallen Master's lightsaber to his hand. Within an instant he lands behind the surprised Maul and cuts him in half, the Sith's body falling into the pit.

Just before passing away, Qui-Gon instructs Obi-Wan to train Anakin to become a Jedi. Obi-Wan gives his word that he will. The newly-elected Chancellor Palpatine arrives to congratulate Queen Amidala on her victory, as Nute Gunray is sent to stand trial for his crimes.

After the battle, the Jedi Council names Obi-Wan a Jedi Knight. Kenobi conveys his Master's wish regarding Anakin Skywalker to Yoda, who reluctantly allows him to become Obi-Wan's apprentice. Qui-Gon's body is cremated, and Mace Windu and Yoda agree that the Sith are definitely to blame for the tragedy. Being that there are only ever two Sith at any given time (a Master and an apprentice), both Masters believe that one must still remain.

The Naboo and Gungans organize a great victory celebration on the streets of Theed, in front on the palace. Obi-Wan and Anakin are present, the younger now wearing in his hair a special braid: the mark of a Jedi Padawan. Queen Amidala presents a gift of appreciation and friendship to Boss Nass and the Gungan people.

[edit] Credits

[edit] Cast


[edit] Crew

Much of the primary crew of The Young Indiana Jones Chronicles TV series and Radioland Murders feature film carried over to the prequels.

[edit] Appearances

[edit] Individuals


[edit] Locations


[edit] Events

[edit] Languages

[edit] Organizations and titles


[edit] Sentient species


[edit] Creatures


[edit] Droid models


[edit] Vehicles and vessels


[edit] Weapons and technology


[edit] Behind the scenes

[edit] Sources and inspirations

While Akira Kurosawa's The Hidden Fortress has often been seen as a source of inspiration for Star Wars Episode IV: A New Hope, The Phantom Menace's middle section on Tatooine, with its series of nonviolent bargaining and twists of chance, demonstrates the strongest correspondence to Japanese film in the Saga. Queen Amidala's escape from an invading enemy and posing as a handmaiden while visiting the lower classes on Tatooine also echoes Kurosawa's film, especially in its emphasis on social consciousness.

The podrace sequence on Tatooine appears heavily influenced, if not lifted wholesale, from the chariot race in Ben-Hur. Other films likely to have influenced the pod race are Nicholas Ray's Rebel Without a Cause, which featured actor James Dean, a partial inspiration for Anakin Skywalker's character, and John Frankenheimer's Grand Prix, which not only features the Japanese actor Toshiro Mifune but also features camerawork done by Lucas himself.

Starting with this episode, the Star Wars Saga, especially the first three episodes and even more especially the third chapter, Star Wars Episode III: Revenge of the Sith, deal heavily with the character type of the mastermind typical to the multiple genres Lucas's work belongs to. The dual character of Palpatine/Darth Sidious is probably the most noteworthy Star Wars character from this aspect: controlling and manipulating the events of the films, such as the invasion of Naboo and Valorum's impeachment, from afar. This character has precedent in countless comic books, movies, and novels, but is especially in debt to the arch-villains of serial fiction and films of the early 20th century. The two most relevant characters are Fantomas ("The Phantom") and Norbert Jacque's Dr. Mabuse, immortalized on screen by German director Fritz Lang. Lucas implicitly labels Palpatine, who like Mabuse uses mind control and secret identities to shape events on large political and economic scales, as the film's Phantom Menace, tying him to the French villain.

Politically, this film may be the most concretely complicated of all the Star Wars films in its references. Throughout the films there are various characters whose names and actions associate them with modern political figures and movements. The name of the Trade Federation's greedy leader Nute Gunray can be seen as an amalgam of two controversial Republican politicians of the latter half of the 20th century—Newt Gingrich and Ronald Reagan, both in their actual names and in reference to Ronald Reagan's most famous film, Knute Rockne, All American, in which he plays "The Gipper."

The key political decisions in this film revolve around the impeachment of a chief executive—Supreme Chancellor Finis Valorum—in order to elect a new leader of stronger moral principles—eventual Emperor Palpatine—echoing the attempts of the Republicans to oust President Bill Clinton from office in the late 1990s (although the movie began filming in 1997, a year before the talk of impeachment commenced). The motivations of the Trade Federation in the film, moreover, revolve around their refusal to cooperate with the Republic's taxes, tying their economic politics both to the Reaganomics of the 1980s and the World Trade Organization, famously protested in Seattle, Washington in the year of the film's release. Also, it is likely that Lucas included the satirical pun on Reagan's name as payback for the former President's use of key phrases from Star Wars to rally support for his controversial Missile Defense System, which even gained the nickname of Lucas's epic project.

[edit] Production

Along the lines of The Young Indiana Jones Chronicles, all three prequel films were originally intended to be written and shot as one large production, and released back-to-back.[2]

The budget of Menace was estimated US$115 million. Shooting took place from June 26 to September 30, 1997. As with Star Wars Episode IV: A New Hope, Episode I's main exterior filming locations were in Tunisia. The podrace was filmed in a canyon near Sidi Bouhlel and Oung Jmel. A set was built near Oung Jmel to represent Mos Espa on Tatooine. The Slave Quarters Row were filmed in ksour's near Tataouine and Ksar Medenine. Small parts were filmed in Royal Caserta Palace in Italy, Whippendell Woods and Hever Castle in the United Kingdom, but Hever Castel was later cut. Studio work was mainly done at Leavesden Studios in the United Kingdom. More studio work is rumored to have taken place at CTV Services in Tunisia.

Unlike the latter two films in the series which were shot on digital video, most of this film was shot in 35 mm, with a few scenes shot in digital video.

This episode was also the first of the Saga to be referred to primarily by its number (Episode One) by media and fans, to contrast it with the classical saga the public already knew. This reference also gave finally some sense to the riddling numbers IV-VI of the previous movies.

In contrast to the more self-explanatory titles of the other films, the title, "The Phantom Menace" is ambiguous. It is usually suggested that the title refers to either of the two Sith, or the Sith Order itself. The title could also refer to the origin of Darth Sidious's name, which is the adjective insidious. The Oxford Dictionary gives the following definition:

Full of wiles or plots; lying in wait or seeking to entrap or ensnare; proceeding or operating secretly or subtly so as not to excite suspicion; sly, treacherous, deceitful, underhand, artful, cunning, crafty, wily. (Of persons and things.)

So the word phantom in the title of Episode I could be referring to the Dark Lord of the Sith and menace to the meaning of the name "Sidious." Another possible meaning of the title is a subtle indication at the ultimate outcome of the Saga—the birth of Darth Vader.

A further theory is based upon the understanding that the central menace of the movie, the Neimoidian dominated Trade Federation's blockade and invasion of Naboo, is itself nothing more than a phantom, a piece of political misdirection wrought by Darth Sidious as part of the machinations designed to bring about the ultimate victory of the Sith. In this sense, the key outcome of this movie is the elevation of Palpatine to the office of Chancellor—an outcome that would have resulted had the Trade Federation's gambit succeeded or failed. The keystone of the plot is the plight of the Naboo arousing a sympathy vote in the Senate. While the heroes are focused on combating the threat to Naboo, they are unwitting pawns in a connivance of far greater scope.

However, while all these theories are possible, they are also likely too literal for such base interpretation. The "Phantom Menace" is most likely a simple allusion to future dark events that are unclear. Until the time of Episode I the Galaxy has been largely at peace. The events of Episode I trigger a cascade of events that will put the Galaxy under Sith rule for decades.

Therefore, the best interpretation is that "The Phantom Menace" does not refer to a single entity or event, but rather to the notion of impending evil that nobody can truly foresee. In fact, Obi-Wan even makes an allusion to it right at the beginning of the movie:

"I have a bad feeling about this."
"I don't sense anything."
"It's not the mission, Master. It's something…elsewhere…elusive.
"
―Obi-Wan Kenobi to Qui-Gon Jinn[src]

[edit] Release

The Phantom Menace received enormous media-created hype, which made Lucasfilm's $20 million advertising campaign – with the distinctive artwork of Star Wars series artist Drew Struzan gracing the movie poster and other advertising – seem modest and almost unnecessary because of the unprecedented interest amongst both fans and the wider audience in the return of the franchise. Few film studios released films during the same week as the release of The Phantom Menace; among the more courageous were DreamWorks and Universal Studios, with the releases of The Love Letter and Notting Hill respectively. The Love Letter resulted in a box-office flop, whereas Notting Hill fared rather well and followed The Phantom Menace closely in second place.[3] Challenger, Gray & Christmas of Chicago, a work-issues consulting firm, estimated that 2.2 million full-time employees did not appear for work to attend the film, resulting in $293 million in lost productivity. The Wall Street Journal reported that such a large number of workers announced plans to view premiere screenings that many companies shut down on the premiere day.[4] Many fans began waiting outside cinema theaters as early as a month in advance of ticket sales.[5]

More theater lines appeared when it was announced that the film cinemas were not allowed to sell tickets in advance until two weeks into the release. This was done out of fear that family theater-goers would either be unable to receive tickets or would be forced to pay higher prices. Tickets were instead to be sold on a traditional first-come-first-serve basis.[6] However, after meetings with the National Association of Theatre Owners, Lucasfilm agreed to allow advance ticket sales on May 12, 1999, provided that there be a 12-ticket limit per customer.[7] As a result, however, some advance tickets were sold by "scalpers" as high as $100 apiece, which a distribution chief called "horrible", stating it was exactly what they wanted to avoid.[8] Daily Variety reported that theater owners received strict instructions from Lucasfilm that the film could only play in the cinema's largest auditorium for the first 8–12 weeks; no honor passes were allowed for the first eight weeks, and they were obligated to send their payments to distributor 20th Century Fox within seven days.[9] Servers at the film's official website became gridlocked soon after the release of the first teaser trailer,[10] and many fans of the series paid full admission to see Meet Joe Black only to leave after the trailer had run. The same tradition followed months later when the theatrical trailer was featured in front of Wing Commander.[11] The theatrical trailer caused even more notable media hype, because it not only premiered in theaters, but screened at the ShoWest Convention in Las Vegas, and was aired on television on Entertainment Tonight and Access Hollywood.[12] An unusual marketing scheme was pursued across the United Kingdom, where the teaser trailer was released on December 2, 1998 and then pulled from theaters six weeks later.[13]

Despite worries about whether the film would be finished in time, two weeks prior to its debut Lucasfilm pushed the release date up from May 21, 1999 to May 19, 1999. At the ShoWest Convention, Lucas stated that the change was to give the fans a "head start" by allowing them to view it over the week and allowing families the chance to view on the weekends. In a nod toward his future with digital technology, Lucas stated that the film would be released on four digital projectors on June 18, 1999.[14] Eleven charity premieres were staged across the United States on May 16, 1999; receivings from the Los Angeles event were given to the Elizabeth Glaser Pediatric AIDS Foundation with corporate packages available for $5,000-$25,000.[15] Other charity premieres included the Dallas premiere for Children's Medical Center, the Aubrey Fund for Pediatric Cancer Research at the Sloan-Kettering Hospital in New York, the Big Brother/Sister Assn. of the Philadelphia premiere, and the Children's National Medical Center in Washington D.C. A statement said that tickets were sold at $500 apiece and that certain sections were set aside for disadvantaged children.[16]

[edit] DVD release

The Phantom Menace on DVD.
The Phantom Menace on DVD.

Star Wars Episode I: The Phantom Menace was released on DVD in 2001; it was the first Star Wars film to be officially released on DVD. The DVD version of the film had certain scenes and other elements edited and inserted by George Lucas, making it slightly different from its theatrical release while retaining an identical plot. Some scenes were modified, and some that were unfinished by the date of release were added to the film.

The DVD features a commentary track by Lucas, producer Rick McCallum, editor Ben Burtt, animation director Rob Coleman, and visual effects supervisors John Knoll, Dennis Muren, and Scott Squires. It includes seven deleted scenes completed specifically for the DVD, and The Beginning: Making Episode I, an hour-long documentary film drawn from more than 600 hours of footage, including an insider's look at Lucasfilm and ILM during the production. The viewer can access a multi-angle storyboard-to-animatic-to-film segment featuring the submarine and podrace lap 1 sequences. The DVD includes two documentary sources, five featurettes exploring the storyline, design, costumes, visual effects, and fight sequences in the film, and an award-winning twelve-part web documentary series chronicling the production. The Duel of the Fates music video featuring John Williams was included on the DVD as well. The final special features included are a never-before-seen production photo gallery with a special caption feature, theatrical posters and print campaigns from around the world, a theatrical teaser and launch trailers, seven TV spots, Star Wars: Starfighter - The Making of a Game featurette from LucasArts, and a DVD-ROM weblink to exclusive Star Wars content.

The DVD became the fastest selling DVD ever in the US, after 2.2 million copies were sold in its first week after release.[17] However, some reviewers criticized the DVD for the excessive use of edge enhancement that degraded the DVD's picture quality.[18]

At the DVD press conference for Revenge of the Sith, Star Wars prequel trilogy animation director, Rob Coleman confirmed that the animation department at Lucasfilm has replaced the Yoda puppet from the original version of the film with a digital Yoda. This was done to better match up the look of the Yoda from The Phantom Menace with that of the other two films of the prequel trilogy, as well as with the Yoda from the original trilogy. This change has been, for the most part, welcomed by fans, in contrast to the original puppet Yoda as seen in The Phantom Menace.

A preview of these changes can be viewed on the Revenge of the Sith DVD that was released on November 1st, 2005. The clip is included as part of "The Chosen One" featurette. When Coleman announced the change, he didn't, however, specify when the revised version of The Phantom Menace will be released. It is expected to be in an upcoming prequel trilogy box set, however.[19]

[edit] Critical Reaction

Since it was the first Star Wars movie in 16 years, many Star Wars fans were excited when Episode I came out. After an enormous marketing campaign, with the distinctive artwork of Star Wars series artist Drew Struzan gracing the movie poster and other advertising, there was almost unprecedented interest amongst both fans and the wider community in the return of one of the successful movie series. However, critical and fan reaction ranged from high praise to outright derision.

The much-hyped special effects, while generally viewed as groundbreaking in their sheer scope, were perhaps less impressive than anticipated simply because of high expectations. This attitude was confirmed with the rival film, The Matrix, winning the visual effects Academy Award for that year over the Star Wars film. It was the first time a Star Wars film lost in that Oscar competition category. Many critics heavily criticized the direction and the acting of Portman and especially Jake Lloyd as the young Anakin Skywalker. The pair were nominated for Worst Screen Couple at the 2000 Razzie Awards, while Lloyd was nominated for Worst Supporting Actor, and the film received nominations for Worst Picture, Director, Screenplay, and Supporting Actress (Sofia Coppola).[20] Some aspects of the scripting were also criticized. Extra venom was directed at the character of Jar Jar Binks, who was regarded by much of the older fan community as purely a merchandising opportunity rather than a serious character in the film. Ahmed Best, who played Jar Jar on set, "won" a Razzie Award for Worst Supporting Actor.[20] Fan reaction was mixed, with some fans opposing the critics' views while others agreed with the negative opinions.

Another source of dissatisfaction comes from the decision to explain the Force in terms of hard science: namely, the introduction of midi-chlorians.

A number of people anonymously re-edited the film and released their edited versions over the Internet. The most popularly known of these is The Phantom Edit.

However, despite the negative criticisms leveled at the film, many others gave praise to The Phantom Menace. William Arnold, of the Seattle Post-Intelligencer commented that the massive of hype of the film may have caused much of the negative reaction to the film, saying "it built expectations that can't possibly be matched and scuttled element of storytelling surprise". He also felt "it's well made and entertaining" and believed it was much better than similar box office fare released around that time period, such as The Mummy and The Matrix [1]. David Cornelius o