"Once again, John Williams has exceeded my expectations and produced a lavish, rich, moving and thrilling score. Every fan of Star Wars—and of great music—is in his debt."
The Star Wars Episode I: The Phantom Menace score was composed and conducted by John Williams and performed by the London Symphony Orchestra. It was released in three formats:
The original album was released to accompany the film (May 4, 1999). This release is a single CD containing 17 tracks from selections of the score, meant to stand alone as a separate listening experience and not as one hears the score in the film. John Williams edited each track to present the score as one would hear it in a concert suite.
This album was also available on a two-LP set through specialized retailers such as Star Wars Insider.
The two-CD Ultimate Edition was released due to popular demand (November 14, 2000). This set presents the score predominantly as heard in the film (with most of the edits, loops, tracked music, and post-production changes in place). Although not exactly what is heard in the film, this set was meant to be listened to as one would hear the score in the film.
None of the releases contain the entire score (although the back cover of the Ultimate Edition falsely claims that it contains "every note recorded"). Currently, no complete release has been made.
The scores of the following two films would rely heavily upon tracking from this score, a decision that Williams and George Lucas had made early into production of the film. [1]
No complete score has ever been released, but missing bits and pieces can be heard in various LucasArts video games.
After the release of the album, the popularity of a more complete bootleg version of the score began to steal profits.[source?] Sony released the Ultimate Edition, presenting the score nearly as it is heard in the film while falsely marketing itself as "every note ever recorded."
A fragmentary list of all known slate numbers and original track titles follows:
1m01 Star Wars (Main Title)
1m02 The Arrival
1m03 Gas Leak
1m04 Droid Fight
1m05 Queen Amidala
1m06 The Droid Invasion
1m07 Introducing Jar Jar
1m? Bubble World
1m? Gone Fishin'
2m? Darth Sidious
2m? Tentacles
2m? Theed Palace Arrival
2m? You're Under Arrest
2m? Escape from Naboo
2m? Intro Darth Maul
2m? Arrival at Tatooine
2m? I'm A Pilot You Know
2m? Stealing Food
2m? Introducing Threepio
3m? Running Out of Time
3m? [Title Unknown]
3m? Dinner Talk
3m? Watto's Deal
3m? Kids at Play
3m? It's Working
3m? The Sith Spacecraft
3m? [Title Unknown]
3m? Flag Parade
3m10 Jabba Introduction
3m11 The Race Begins (This cue went mostly unused, but the opening moments were abridged before the cue "Escape from Naboo" was tracked)
4m01 [Title Unknown] (Mostly cut in favor of tracked material, the ending moments were reprised)
4m02 Anakin Defeats Sebulba (moved later in the film)
4m? Anakin's Great Victory
4m? Anakin Is Free
4m? Darth and Qui-Gon
4m? Coruscant Arrival
4m? Queen and Palpatine
5m01 High Council Meeting
5m02 The Senate
5m03 Anakin's Test
5m04 The Chosen One
5m05 The Chosen One
5m? [Title Unknown]
5m? Naboo Temple
5m? The Gungans
5m? With Boss Nass
5m? Promoting Jar Jar
5m? War Plans
6m? Forest Mist (the latter half was removed for a revised cue "Drums Insert")
6m? The Armies Face Off
6m? Moving Forward (the latter half of this cue was removed entirely)
6m? Take To Your Ships
6m? The Big Army (the majority of the midsection of this cue was removed in favor of "Duel of the Fates")
6m05 The Droid Battle
6m06 Up the Wire (This cue was removed in favor of "Duel of the Fates")
6m07 The Great Duel (This cue was removed in favor of "Duel of the Fates")
6m07p2 Duel Continues
6m? Qui-Gon's Noble End
6m? Battleship Destroyed
6m? The End of Darth Maul
7m? [Title Unknown]
7m? Qui-Gon's Funeral
7m? Augie's Great Municipal Band
7m? End Title
7m? End Title Part II (contains both "Duel of the Fates" and "Anakin's Theme")
In the recording studio, Williams records cues multiple times. The film and album versions of a track can be drastically different. One cue can be made up of several takes, putting together the best moments of each, replacing flubbed notes.
Since each track is run several times, each performance differs slightly. Occasionally, Williams will change orchestrations on the spot.
Examples of different takes:
Track 4 on Disc 1 of the Ultimate Edition vs. games: The Ultimate Edition version of the cue "Gas Leak" omits one of the final hits in favor of a loop, and it also omits an ending that can be heard in games such as Star Wars: The Force Unleashed.
Track 7 on Disc 2 of the Ultimate Edition vs. film: The film version has an obvious cough at the very end of the cue not heard on the Ultimate Edition.
Track 6 on Disc 1 of the Ultimate Edition vs. game: During the conversation with Queen Padmé Amidala, the music that plays has alternate wind parts not heard in the Ultimate Edition.
Track 31 on Disc 1 of the Ultimate Edition vs. DVD: The film features loops and extended segments of the Flag Parade not featured in the Ultimate Edition.
Track 32 on Disc 1 of the Ultimate Edition vs. film: The track segues straight into the ending moments of the Flag Parade, whereas in the film, there is a considerable gap in between. Also, an abridged version of the cue "Start Your Engine" has been retained despite not appearing in the film.
Track 27 on Disc 2 of the Ultimate Edition vs. film: The whispers heard during the fight between Darth Maul and Qui-Gon are different in the film from those on the Ultimate Edition.
"Anakin's Theme": The alternate take heard in the games has a loud bang in the middle of the track (possibly from an instrumentalist hitting his or her stand). It also is shorter and eliminates the return to the descending middle segment.
"Take to Your Ships" has many different orchestrations heard throughout the Ultimate Edition, the album, the early Phantom Menace games (Jedi Power Battles and Starfighter) and later LucasArts games (Battlefront II, Revenge of the Sith, and The Force Unleashed).
"Duel Continues," released as part of track 16 on Disc 2 of the Ultimate Edition, was originally scored with piccolo jabs underlying the opening timpani. These piccolo jabs were removed from the cue and instead placed over the following cue, "Qui-Gon's Noble End".
"Duel of the Fates" has several different orchestrations heard in the games, album, and Ultimate Edition.
Several source cues composed by Williams' son, Joseph. Alternates of cues and alternate recordings of "Duel of the Fates" have unknown slate numbers and for the most part are unreleased. [2]